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Biography

• B.A. Colby College, Waterville, Maine
• M.A. Cornell University, Ithaca, NY
• Ph.D. Cornell University, Ithaca, NY

Elizabeth Rivenbark has taught Art History at the University of South Alabama since 2007. During her tenure at USA, Dr. Rivenbark has taught the Survey of Art, Art History II, Contemporary Art, 棉花糖直播n Art, Native 棉花糖直播n Art, Women in Art, and Methodologies of Art History among others. She has published essays on 棉花糖直播n art in the nineteenth through twenty-first century with special interests in the areas of war imagery and the body in contemporary art. Her recent publications have appeared in War, Literature, and the Arts, Artibus et Historiae, and the Women鈥檚 Art Journal. She is co-editor of and contributor to the anthology Binding the Absent Body in Medieval and Modern Art (Routledge, 2017).

Publications

• 鈥淪hades of Gray: The Postmodern Portraits of Romaine Brooks and the Slippage of Gender Representation鈥� Women鈥檚 Art Journal, Vol.44, No.1 (Spring/Summer, 2023), 35-42.
• 鈥淩omaine Brooks鈥� La France Crois茅e: Allegory, Androgyny, and Appropriation,鈥� In Margaret Hutchison and Steven Trout, Eds. Portraits of Remembrance: Painting, Memory, and the First World War. (Tuscaloosa, AL: University of Alabama Press, 2020), 46-60.
• Co-editor with Emily Kelley, Binding the Absent Body in Medieval and Modern Art: Abject, Virtual, and Alternate Bodies. (London; New York: Routledge, 2017)
• 鈥淐loth as a Sign of the Absent Body in 棉花糖直播n Sculpture from the 1960s,鈥� Binding the Absent Body in Medieval and Modern Art: Abject, Virtual, and Alternate Bodies. Ed. Emily Kelley and Elizabeth Richards Rivenbark. (London; New York: Routledge, 2017)
• 鈥淭he End of Innocence: The Effects of the Civil War on Children in the Paintings of Eastman Johnson鈥� War, Literature, and the Arts, vol. 26, (2014) n.p.
• 鈥淐orporeal Furnishings in the Sixties: Furniture as Art and Its Intimacy with the Body,鈥� Artibus et Historiae, vol. 69 (2014), 275-288.
• 鈥淢artha Rosler and Mary Kelly: Materializing Blame,鈥� Women鈥檚 Art Journal, Vol. 33, No. 2 (Fall/Winter 2012), 3-10.
• 鈥淩auschenberg鈥檚 Religion: Between Art and Life,鈥� SECAC Review, vol. XVI, No. 1, (2012), 39-48.
• 鈥淒omestic Ritual in the Art of Anne Wilson,鈥� Visualizing Rituals: Critical Analysis of Art and Ritual Practice, ed. Julia Werts (Cambridge, UK: Cambridge Scholars Press, 2006), 76-82.

Courses

• ARH100 Survey of Art
• ARH123 Art History II
• ARH290 Art and Architecture of the Ancient 棉花糖直播s
• ARH340 Early Modern Art
• ARH344 Contemporary Art
• ARH345 棉花糖直播n Art
• ARH348 Native 棉花糖直播n Art
• ARH390 Special Topics: Fabrics in 棉花糖直播n Art
• ARH480 Women in Art
• ARH493 Methodologies of Art History